The Origins of the Evil Plush Toys: A History of Horror
Evil Plush Toy Horror: Why We Love to Be Scared by Cuddly Creatures
Have you ever wondered why some people love to watch movies, play games, or read stories about evil plush toys that come to life and terrorize their owners? What is it about these seemingly harmless and adorable objects that makes them so frightening and fascinating at the same time? In this article, we will explore the phenomenon of evil plush toy horror, its origins and evolution, some examples of it in media and culture, and the psychological reasons behind our attraction to it. If you are a fan of evil plush toy horror, or if you are curious about it, read on and discover the dark side of cuddly creatures.
What is evil plush toy horror?
Evil plush toy horror is a subgenre of horror that involves plush toys, stuffed animals, dolls, or other soft and cute objects that turn out to be evil, possessed, haunted, or otherwise dangerous. These toys may act on their own, or be controlled by a malevolent force, such as a ghost, a demon, a witch, or a mad scientist. They may have sinister motives, such as revenge, murder, or domination, or they may simply enjoy causing chaos and suffering. They may use their appearance and charm to lure their victims into a false sense of security, or they may reveal their true nature from the start. They may attack physically, mentally, or emotionally, using their teeth, claws, weapons, magic, or psychological manipulation.
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How did it start and evolve?
The idea of evil plush toys is not new. It can be traced back to ancient myths and legends that feature animated dolls or statues that cause harm to humans. For example, in Greek mythology, there is the story of Pygmalion, who fell in love with a statue he carved and prayed to Aphrodite to bring it to life. However, in some versions of the story, the statue turns out to be jealous and vengeful, killing Pygmalion's wife and children. In Jewish folklore, there is the concept of the golem, a clay figure that is brought to life by a rabbi using sacred words. However, the golem may become uncontrollable and violent if the words are not removed or altered.
In modern times, evil plush toy horror became more popular with the advent of mass-produced toys and consumer culture. As toys became more realistic and diverse, they also became more appealing and accessible to children and adults alike. However, this also created a sense of unease and distrust towards these objects, as they seemed to have a life and personality of their own. Some of the earliest examples of evil plush toy horror in literature include "The Monkey's Paw" by W.W. Jacobs (1902), "The Doll" by Algernon Blackwood (1927), and "The Living Doll" by Daphne du Maurier (1959). In cinema, some of the earliest examples include "Dead of Night" (1945), "Child's Play" (1988), and "Dolls" (1987). In video games, some of the earliest examples include "Five Nights at Freddy's" (2014), "Little Nightmares" (2017), and "Evil Plush Toy Horror" (2020).
What are some examples of evil plush toy horror in media and culture?
Evil plush toy horror is a diverse and creative subgenre that has many variations and adaptations. Here are some examples of evil plush toy horror in different media and culture:
In literature, there are many stories and novels that feature evil plush toys as antagonists or symbols of horror. Some examples are "The Monkey's Paw" by W.W. Jacobs, "The Doll" by Algernon Blackwood, "The Living Doll" by Daphne du Maurier, "The Doll-Master and Other Tales of Terror" by Joyce Carol Oates, and "The Girl with All the Gifts" by M.R. Carey .
In cinema, there are many films that depict evil plush toys as killers or threats. Some examples are "Child's Play" and its sequels, "Annabelle" and its spin-offs, "Puppet Master" and its franchise, "Demonic Toys" and its crossover with "Puppet Master", "Poltergeist" and its clown doll scene, "Dead Silence" and its ventriloquist dummies, and "Dolls" and its twisted fairy tale .
In video games, there are many games that involve evil plush toys as enemies or challenges. Some examples are "Five Nights at Freddy's" and its series, "Little Nightmares" and its sequel, "Evil Plush Toy Horror" and its supermarket and factory levels, "Tattletail" and its Furby-like toy, "Among the Sleep" and its teddy bear companion, and "Hello Neighbor" and its basement level .
In art, there are many artists who create evil plush toys as sculptures or paintings. Some examples are Patricia Waller and her crocheted horrors, Lee Howard and his zombie teddy bears, Scott Radke and his eerie marionettes, Junker Jane and her monster dolls, and Jason Freeny and his anatomical toys .
In real life, there are some cases of evil plush toys that have been reported or claimed by people. Some examples are Robert the Doll and his alleged curse, Annabelle the Doll and her supposed haunting, Peggy the Doll and her paranormal activity, Harold the Doll and his mysterious history, and Mandy the Doll and her creepy behavior .
Why do we find evil plush toys scary?
Evil plush toys are scary because they violate our expectations and challenge our sense of reality. They are supposed to be cute, friendly, and harmless, but they turn out to be ugly, hostile, and dangerous. They are supposed to be inanimate, passive, and silent, but they become animate, active, and vocal. They are supposed to be loyal, comforting, and protective, but they betray, hurt, and threaten us. There are three main psychological factors that contribute to our fear of evil plush toys: the uncanny valley effect, the betrayal of innocence, and the fear of the unknown.
The uncanny valley effect
The uncanny valley effect is a phenomenon that occurs when something looks or behaves almost human, but not quite. It creates a sense of unease and discomfort in the observer, as they perceive something as familiar but also strange. This effect is often triggered by robots, dolls, or other human-like objects that have subtle flaws or imperfections in their appearance or movement. Evil plush toys can elicit this effect because they resemble animals or humans, but they have exaggerated or distorted features, such as large eyes, sharp teeth, or unnatural colors. They also move or speak in unnatural ways, such as jerking, twitching, or whispering .
The betrayal of innocence
The betrayal of innocence is a theme that involves the corruption or destruction of something pure, naive, or vulnerable. It creates a sense of anger and sadness in the observer, as they witness something that should be protected being harmed or exploited. This theme is often used in horror stories that involve children, animals, or other innocent victims being abused or killed by evil forces. Evil plush toys can evoke this theme because they are associated with childhood, playfulness, and joy, but they become instruments of violence, cruelty, and evil. They also take advantage of our trust and attachment to them, as they use their cuteness and charm to deceive or manipulate us .
The fear of the unknown
The fear of the unknown is a primal emotion that arises when we face something unfamiliar, unpredictable, or incomprehensible. It creates a sense of anxiety and curiosity in the observer, as they try to understand or cope with something that is beyond their control or knowledge. This emotion is often aroused by horror stories that involve supernatural, paranormal, or mysterious phenomena that defy logic or explanation. Evil plush toys can trigger this emotion because they are often linked to occult, magical, or scientific forces that give them life or power. They also hide their true intentions or origins from us, as they keep secrets or lie about their identity .
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Summary of main points
In conclusion, evil plush toy horror is a subgenre of horror that involves plush toys, stuffed animals, dolls, or other soft and cute objects that turn out to be evil, possess